On People, Ad Nauseum.

July 8th, 2009

This will hopefully be the final piece of cultural anthropology that I plop out onto this site, if only because I am frightened that my tutor will read it, pass out in horror, and then find and shoot me for my own good. As per always, plausible deniability, I was very young and stupid, it’s all a blur officer I honestly can’t say jesus christ I didn’t mean to hurt her yadda yadda yadda YADDA. And now we press on. Today we’ll cover various random things. You may now clasp your hands to either side of your face, bug your eyes out, and say “I had NO idea!” in an irrepressibly annoying voice. Go on. Tell them I said it was okay.

Politics: My Dong is Bigger Than Your Despot.

During the taking of this picture, Roosevelt expressed his desire for Stalin's hat.

During the taking of this picture, Roosevelt expressed his desire for Stalin's hat.

Ah, politics. There are so many wonderful systems that humans have made whose primary tasks are convincing everybody that they are totally essential, but politics has to take the delicious, homemade strawberry angel cake with raspberries on top. Political anthropology is devoted to studying it; more precisely, things related to power. Who has power, who wants power, degrees of power, bases of power, abuses of power, excetera, etc, ec, e. Don’t confuse political anthropology with political science, however – political science is narrower in scope, dealing more with formal party politics, voting, and so on. Political anthropology includes that, a headman kicking someone out of the tribe for sleeping with his wife, and almost every leadership system outside of your family members telling you what to do. Now let’s get some of these here politimackul definitions. Because lord knows we didn’t cram enough into the last update.

  • Power: The ability to produce desired results by possession or use of force.
  • Politics: The use of organized public power.
  • Authority: The right for someone to take certain forms of action based on status or moral authority. Unlike power, you don’t need force to back it up. Notably, power doesn’t need this.
  • Influence: The ability to achieve an end through exertion of social or moral pressure on someone/some group, like your granny making you donate to charity or she’ll tell your mother about the enormous stack of porn she found in your closet. Unlike authority, you don’t need to be in charge or in center stage to exert this.

There we go, that wasn’t so bad. Now you’ve got a fascinatingly deep knowledge of politics rivalling that of the president of your nation’s nearest stamp collector’s club, and we’re ready to talk political organizations. We’ll be going roughly in order of appearance in human history, from earliest to latest.

Bands

Relatively eglatarian, sometimes nigh politics-free, and usually completely screwed.

Relatively eglatarian, sometimes nigh politics-free, and usually completely screwed.

The oldest human society of all, and one that some anthropologists have argued is politics-free in a pure state. Everybody’s pretty equal, leadership’s pretty informal, groups tend not to fight too much because they both don’t use up a whole lot, wander around a big area, and there aren’t many of them, and the closest you can get to politics is group decision-making. Usually you don’t have a big population growth rate because you get all your food via foraging and don’t build up big surpluses for population booms or specialists who don’t know how to feed themselves. Also, flowers and key lime pies rain from the skies on Tuesdays at six forty-five PM, so that you are well prepared for the 7 o’clock forced colonization and massacre at the hands of more complex societies (note that you cannot rearrange the letters in “complex” to equal “superior” or “better.” This means something).

Tribes

Once you’ve stopped foraging and started up planting and weeding (or herding and milking), you’re probably going to be in a tribal society. You’re a bunch of related bands held together in a territory by distinct language and lineage (and a dash of alliteration). A tribal headman is more certifiably “the boss” than a band leader, and he has more power, but he’s still part-time, and in charge because he’s respected – being generous earns a lot of respect. Since you’re starting to get a bit of food surplus, you can support the odd guy who can’t get his own food but is really good at making those specially carved statue-things you like so much, and maybe you’ll also be able to have more kids. Which is good, because the work you’re putting into growing/raising your meals is back-breaking, and you need all the extra hands you can get for weeding and tilling. Foraging was a free meal ticket compared to this.

Chiefdoms

A complex society can lead to all manner of hijinx, such as totem poles and lawn tennis.

A complex society can lead to all manner of hijinx, such as totem poles and lawn tennis.

Now we’re getting complicated. Chiefdoms are conglomerates of tribes and bands, all clumped together forever and ever under the chief. Society acquires more ranks and stratifications, and the chief may still acquire reputation through generosity but you better believe he’s going to be living a good bit better than the majority of his subjects. And make no mistake, they are his subjects now. This is no part-time leader, the chief has to take charge in major decisions and simply running the chiefdom. You can take this to the next level and have a whackuv chiefdoms linked together either under a sort of uber-chief, what you can call a confederacy.

States

Statehood is serious business.

Statehood is serious business.

Onward and upward into spiralling complexity. States arise as centralized political units, borne aloft on the flowery winds of intensive agriculture and storage techniques. Combining these technologies gives food surpluses out the sociological wazoo, and suddenly you have thousands of people free to take time off from feeding themselves to dedicate their lives to carving very large stone blocks, or charting the movements of the skies, or telling you that you need to kill those guys over the next hill or else your god(s) will be totally pissed off at you. It’s now relatively easy to get big cities rolling, or create a rigidly-organized religion, kick-start a technology, or launch a war. On the other hand you gobble resources like an emaciated hippopotamus, and you’re going to have to make sure that those other jerks in their state over the next hill don’t come over and take all your stuff, ideally by conquering them. Unless that would endanger your trade with them for those really shiny rocks your stoneworkers like so much. This is all a good example of exactly what states exemplify: complexity. They have eighty billion different benefits, issues, problems, and solutions, and often they all amount to exactly how well-coordinated the thing is.

Development Anthropology: Studying How People Will Screw Themselves This Time.

Development in action.  Specifically, lung tumors.

Development in action. Specifically, lung tumors.

Or, more specifically, studying how development changes cultures. Or how change develops them. Or whatever. Whether internal (finding a massive nickel mine ten miles from the capital, some random schmoe inventing the aromatherapeutic lightbulb) or external (a shipload full of conquistadors on your front porch, trading for a barrel of gunpowder and deciding to take a crack at deciphering it), change is inevitable. Thanks to globalization nowadays everybody’s in everyone’s backyard, and external influence is a given. How will nations develop? Modernize yourself with all the latest gadgets so you can play with the big boys? Fantically attempt to get your economy kickstarted enough that you can afford to feed more than 5% of your population? Try and reorganize things so that you don’t have that same 5% of your population eating 78% of all the resources? See if you can fix it so that everyone’s lives don’t really, really suck and are longer than that of the average fruit fly? Make sure that you aren’t eating up your next thousand years of resources over the next two decades? Everybody has a different goal, a different solution. Or the same goal with different solutions, or different goals using the same solutions. Whatever.

In the midst of all this, you’ve got institutions striving to help with development, or at least influence it. Two rough kinds: multilaterals (lots of nations as donors, such as the UN) or bilaterals (two countries, one giving, the other recieving). Naturally, the aid provided is going to vary depending on all manner of political bullhickory, and factors such as whether or not it’s meant to be spent on specific projects endorsed by the donors or untied to any specific goal, and whether it’s a grant or a loan. Anthropology comes into all this when an anthropologist is asked to advise on exactly what planting the Ultimate Power Dam Of Justice directly on top of a local village while ploughing over their burial grounds for a gas station might do to the area’s people. Originally this worked poorly, as the way projects were run basically went (1) create and design project with no input a thousand miles away, (2) ask anthropologist, (3) get pissed off when they tell you you’re a clueless berk. Nobody likes being called a clueless berk, and so anthropologists were disliked. Nowadays anthropologists tend to get more input into the situation, and have moved on a bit themselves from being consultants to actively monitoring their projects to make sure that nobody acts like a gigantic dick.

All of the above, interestingly, falls under applied anthropology, which is exactly what it sounds like: the application of anthropological knowledge to something, hopefully to better it. We’re seeing more and more of that nowadays, and some of it even works.

All original material copyright Jamie Proctor, 2009.

Picture Credits:

  • Stalin, Churchill, and Roosevelt at the Teheran conference: Public domain image from Wikipedia.
  • Shoshone around 1890ish: Public domain image from Wikipedia.
  • Mayan pyramid at Coba: Public domain image from Wikipedia.
  • Haida Houses around 1901: Public domain image from Wikipedia.
  • World War II factory: Public domain image from oh for Christ’s sake just look up.

On People, Redux.

July 1st, 2009
My final exam in cultural anthropology occurred on the 22nd as planned. I completed it. I really couldn’t say more. I mean, I answered all the questions they gave me, filling up empty pages with sprawling, incredibly sloppy handwriting detailing many facts on why people are silly. I’m just not sure I was answering the right questions, or even if anything I was saying counted as an answer.

Naturally, the vast majority of my 52 pages of notes proved useless, leading to me cursing once again at having been fooled into learning stuff without purpose. Now it’s demi-memorized and as such shall take an extra three months to leak out of my skull. The best use I think I can get out of this is to cram as much half-remembered misinterpretations of what I mindlessly stared at for two weeks into your heads as quickly as possible. Seatbelts on? Engine turned off and windows rolled up? Let’s get going.

The History of Cultural Anthropology (the truncated and demi-accurate collector’s gold limited premium special re-release edition with bonus discs and behind-the-scenes documentary)

Originally, of course, cultural anthropology didn’t exist. Why would you want to truly understand those other schmucks when that takes up valuable time you can use to kill them and take their stuff? Besides, they were obviously inferior, and therefore anything they could tell you would be worthless. They also didn’t believe in the right things, and should be properly brainwashed educated as to who was the biggest deity on the block.

Old-school anthropology

Eventually the bad old days fell away and modern (well, early-to-mid-nineteenth-century) scholars began to conduct what is known as “armchair anthropology,” which basically followed a winning formula that I shall now bestow upon you:

  1. Send jackhole #092 into the wildes to communicate with the savages.
  2. Read ye olde reporte sent back by thine jackhole #092 (Day 1: met guye, Day 2: was fed by guye, Day 3: raped his wife, he got tetchy, shote him).
  3. Posit wanton and shamelessly second-hande speculations upon the nature of the savages described withine ye olde reporte.
  4. ????
  5. Profite.

Well, maybe not so winning as all that. Anyways, sooner or later someone realized they weren’t so much recording scientific information about other peoples so much as they were making shit up on the basis of a handful of scribbled notes, and this wasn’t really meeting the best standards of journalism, or even National Enquirer standards. So they hitched rides out into the world, arrived in the colonies, got to within a few miles of the nearest primitive tribes that just needed some white people’s direction, poor things, rolled up their sleeves, hitched up their suspenders, and lived in nice big houses. Once in a while they’d send word over to the chappies in the village that they’d rather like a native informant to come over to the place and have a nice chat on how him and his blokes did their thing, donchaknow. This was termed “verandah anthropology,” and it was an improvement in roughly the same manner as having cancer in remission is an improvement over cancer. Very much an improvement, but considering where you started, not saying much.

Careful there Cecil old boy.  There are people trying to live underneath your boots there.

Well, around came World War I, or The Great War, or The War to End All Wars, three names for the same thing of which two are blatant lies – it certainly didn’t end wars, and it fails in both senses of “great” as not only was it pretty dismal but there was a bigger one right after it. During this period, a 30-year-old Polish man named Bronislaw Malinowski (a strongly excellent name, typed or said aloud) was waltzing about near New Guinea, a British-held domain. Australian authorities politely told him that as a Polish man from Austria-Hungary he was somewhat less than welcome to be at his leisure, and told him he could either get locked up or sit in the Trobriand Islands (what modern parents term a “time-out”). Bronislaw opted for the latter and conducted some of his most famous research, making advances in a new method of studying peoples: participant observation, which is pretty much what it sounds like. The anthropologist gets up close and personal with his subjects, finding out how they live by attempting to do it him(her)self. On the one hand you lose the verandah and become culturally incompetent to the point of children laughing at you, on the other hand you can actually connect to the people you’re studying as slightly more than “hey you, go get me a towel, some hot water, and a razor – chop chop!” and you get to actually learn something for once, since the more relatively normal you act the more relatively normal your study subjects will, too. Trading off pride and pomposity for contact and enlightenment started to appeal to more and more anthropologists, mostly because you came off as less of a twit and more of a scientist.

Speaking of scientists, Franz Boas may have done some stuff when we weren’t looking over the past few paragraphs. The “father” of American anthropology, Boas was German. Boas started with a doctorate in physics, moved on to geography, and spent 1883 with the Baffin Island Inuit examining how the local (and downright evil) geography affected their movements. He came out of it with a good deal of respect for the people and their culture, and an experience-backed attitude that anyone who presumed evolutionary superiority over other humans or their cultures was an ignorant tool. Over his life he played big daddy to anthropology in America, originated and encouraged the “four fields” method of divvying up anthropology that we went over last time, did stuff in all four, proved that anyone who argued for human intelligence based on cranial size was a moron, studied Native American languages like a man possessed, and promoted cultural relativism.

This man's moustache alone is smarter than either of us.

This man's moustache alone is smarter than either of us.

Okay, that was rather impressive. Well, actually a whole lot more than rather. Now that we’re done remembering how much more energetic everyone seemed to be about a hundred years ago, let’s stop reviewing the past and look at the present.

What the Hell are You Doing?

Now, there are quite a few ways of getting your info on whoever you’re staring slightly too closely at this week on-site. Because we are full of SCIENCE we shall have a special term for each of them, which I shall convey to you through the magic of crude description.

  • Etic research refers to the gathering of data and juicy gossip by outsiders looking in on a culture and checking in on specific questions.
  • Emic research refers to descriptive reports of what it’s like living in Insert Subject’s Hometown Here conveyed by insiders about their culture.
  • Deductive research involves asking a question or posing a hypothesis and then gathering a bunch of info, then figuring out whether or not you’ve proved, disproved, or haven’t the foggiest about your original idea.
  • Inductive research involves gathering a bunch of info and then seeing what it tells you. “Screw the hypothesis, I have data” basically.

There, who says definitions aren’t fun? Look at how much fun we just had! By the way, the data constantly harped upon above can come in two broad flavours

  • Quantative information come in the form of charts, graphs, tables, and numbers. Lots of numbers. No, more than that. You will count those numbers up and you shall like it.
  • Qualitative methods rely on written descriptions, reports, and so on. No (well, not as much) counting, but lots of talking. And scribbling.

Both require participant observation to pull off, observation skills technically described as “out the wazoo,” and reliable methods of recording said wazoo-related eruptions of data, all with sides of both up and down. Written notes can be really comprehensive and jotted down right as the event happens, or they can be limited by writing speed or taken later when the memories have had time not only to degrade but to actually drop out of school and get really high, in something like that order. Tape recordings can grab all the sound in an area, being at once incredibly informative and incredibly irritating at a single stroke (boy, bet you wish you hadn’t sat next to the instruments when that guy was making the big, important, once-a-year speech, eh?). Video cameras, well, we need not chat about how much they can snag, but they only really get what you point them at. Tons of little details that you might catch on and note yourself can get gleaned over in a video, particularly if its quality is what the polite people call “crap.”

Oh, and while we’re at it, there’s a few distinct ways to have at your research. Because lord knows we can’t have enough definitions.

  • Ethnography. Exactly what it says, “culture writing.” You write about a culture. Specifically, you write up all your info into a honkin’ big pile of words on the culture. It’s descriptive, detailed, and first-hand. You can write it in a traditionally detached third-person manner (realist ethnography, the traditional method), or you can get really fancy and use a more recent approach known as “realist ethnography,” where it’s first-person, poetical insight may be used, and you aren’t afraid to liberally sprinkle “I” through your writing. I think that sounds more like writing a book than a research document, but bear in mind that I’m a flamin’ idiot.
  • Ethnology. Cross-cultural analysis, which, again, is basically what it’s called – you take a topic, say, the particular noises that people consider polite to make when eating something at lunch in public, and then you compare how different cultures do it using ethnographic materials. You check out what’s similar, what’s different, and why they might be alike/not alike.

Final thing for today – recall our little lesson on ethnocentrism yesterdayweek? Remember how I mentioned that it was dumb, and stupid, and smelly, and only a total jerk would use it, and I was all like “hey, you shouldn’t judge other people’s arbitrary crap by the standards of your arbitrary crap”? Scroll upwards to check out the lattermost of the eminent Franz Boas’s achievements: promoting cultural relativism. That’s it. Cultural relativism: the denial of judging other cultures by your standards, and the opposite of ethnocentrism. And then I was “but that doesn’t mean you can claim genocide as a cultural tradition and say that makes it okay”? That’s one of two really vague “flavours” (I use that term too much. Let’s try “sounds” next time) of cultural relativism: absolute cultural relativism (the aforementioned “I cannot judge your decision to eat your baby because it vexes you/preach that the heathens must be shot until they worship the right imaginary friend”), and critical cultural relativism (“Both of those sound like bad things for everyone”). The prior is widely regarded as being quite dense by absolutely everyone, the second as being preferable to either ethnocentrism or its own moronic sibling yet philisophically difficult to justify. Then again, philosophy makes many things difficult to justify, so let’s do what almost all people do when confronted with philosophy: ignore it because it makes your head hurt.

I promise that next time I shall chose a topic that lends itself more favourably towards purty pictures.

All original material copyright Jamie Proctor, 2009.

Picture Credits:

Tupac Amaru being shown who’s boss by Spaniards in 1572: Public domain image from Wikipedia.

“The Rhodes Colossus” from Punch in 1892: Public domain image from Wikipedia.

Franz Boas being awesome in 1915: Public domain image from Wikipedia.


Things That Are Awesome.

June 24th, 2009

As of 8:20ish PM today I will be considered one year older and still fairly useless. To commemorate this occasion, I have prepared a list of things that I think are probably awesome. I can’t be sure, but you may find some of these awesome as well.

-Surfing using a fin whale as a board. Alternatively, a fin whale surfing using you as a board.

-A spork that can cut a grown man clean in two with a single blow.

-Volcanoes full of lilies that erupt in showers of flower petals rather than ash. Tragically, the flower petals remain superheated.

-Boats that are made of an alloy of light and sound and painted gravity-coloured.

-Gigantic people that appear harmlessly misunderstood but are secretly plotting to become business executives.

-Mr. Potatoheads that come with potato bugs.

-Sumo matches held inside deep fryers the size of the Skydome.

-A sports stadium that was designed by a man who thought he was drawing up blueprints for a toaster oven.

-A seventy-nine-and-two-eighths-year-old human skeleton that enjoys combining long walks on the beach, vodka, and gunplay.

-A rhinoceros that’s mad as hell and not going to take it any more.

-A patch of chrysanthemums that bud into a diorama of Hitler being kicked in the forebrain.

-Cloning dinosaurs willy-nilly.

-A gold made of solid statue.

-An Olympic sprinter and marathoner brother and sister team that accidentally swap events.

-Using a single stick of gum to blow a bubble bigger than your head while thinking about sex.

-Building a supercomputer from used honeycombs and superconducting material.

-Really big animals that just don’t give a hoot about you except as a snack or back scratching device.

-A dragon that forces villagers to bring it a virgin sacrifice once a month that gets nothing but overweight men in their forties who spend their time trolling webcomic discussion forums.

-Owls that fight crime, or better yet, owls that commit crimes and are then caught and tried by a jury of their peers.

-Court officials who must make it a temporary part of their jobs to track down an expert in bird-based communication.

-People that aren’t afraid to marinade things at random.

-Puppies that grow up to be cyborgs.

-Somersaulting over national landmarks.

-Frisking law enforcement agents for drugs while giving them a stern talking-to.

-Circus cortortionists that train their children from birth to be international assassins.

-Enraged middle-aged tradesmen snapping under the strain and eating entire tractor-trailers in a single chomp.

-A man who’s flipped off every single person he’s ever seen. With both hands.

-Quintuple amputees who live normal, fulfilling lives.

-Angry young cows that terrorize sleepy dairy farming towns in the Midwest.

-Babies that fire dynamite from their mouths when you burp them.

-A hundred-and-fourteen-year-old man that can still perfectly pronounce the name of every dinosaur he memorized when he was six.

-Gigantic doom temples dedicated to peace and true love.

-Deities of Frisbee and lawn darts. One, the other, or both.

-An atrocious amount of casualties and horrifying death inflicted by the power of friendship.

-When someone uses a multi-billion-dollar supercomputer to run a spellcheck on the word “parsnip.” Especially if they’ve spelt it correctly.

-The universe performing a multi-billion year game of charades using trillions of galaxies in order to physically spell out to humanity and every other species of intelligent life that exists that they’re not worth its time.

-Rappelling down the surface of the sun while wearing nothing but a healthy glow of skin cancer.

-Sharks that grow old to a peaceful retirement where they can fondly look back on all the times they appeared on the Discovery Channel.

-Extremely resentful and bitter plates of fish and chips that blame you for all the world’s ills.

-A homeless man that becomes CEO of a multinational corporation by killing each and every one of its managerial staff in unarmed combat.

-Foodstuffs being used as transcontinental weaponry.

-Books written entirely in the genetic information of palm trees.

-Global superpowers that admit that they don’t know what the hell they’re doing, and never have.

-Judges with pronouncedly obvious body language that base their verdicts on rock-paper-scissors against the defendant.

-A closet that eats people based on fashion sense.

-Performing the full stage version of West Side Story on the plume of a geyser.

-Sassy, independent subatomic particles that aren’t afraid to say what’s on their minds being rudely shoved into the Large Hadron Collider and unceremoniously accelerated.

-Giant, heavily-armed, human-piloted robots that spend their time tidying up major cities and filtering the exhaust out of the air.

-Cloning dinosaurs helter-skelter.

-A man with astonishing superpowers who spends most of his time playing mid-1980s video games.

-A dream of a penis being interpreted by a professional as a metaphor for a penis.

-Any tree that deliberately and fatally falls on someone with premeditation.

-The graveyard-pit formed from the rubble of a series of tubes located at the center of the internet, where old memes go to die.

-A man who can snort objects the size of his hand into his nostril that has never contemplated doing drugs.

-Defeating an enraged saltwater crocodile with nothing but dental floss, 2 fluid oz. of urine, and a heart-to-heart, life-changing, one-in-a-million relationship counselling session.

-Cacti that only stand still when somebody’s looking.

-Cats that will walk over to the dying bodies of their owners to meow crankily at them for not having dinner ready.

-A gangsta with an upper-class British accent and camp gay mannerisms.

-A hidden doom fortress located inside a volcano on top of a mountain that is underwater. On the moon.

-Things that don’t make any sense to humans and never will.

-The superpowered result of a forbidden love affair between a sweet potato and an Idaho Russet.

-Something larger than your head that you can, and are actively encouraged to, eat.

-Lethal edged weapons crafted wholly from gelatine. Or gelatine composed entirely of lethal edged weapons.

-Globally-ranged ballistic missiles designed to hug you at over mach 14 before you even know they’re coming.

-A glacier boasting a keen sense of joie de vivre.

Happy birthday to you all.

Copyright Jamie Proctor, 2009

On People.

June 17th, 2009
My cultural anthropology course is wrapping up on the 22nd, and as such this is a very good time for me to inflict knowledge upon you without warning and with extreme inaccuracy. Then again, if you’re reading this site you probably had it coming. Now that my rationalization is complete, let’s begin…..

Anthropology can be sort-of defined as the study of humans. The study of other species can get lumped under entire categories (zoology, herpetology, icthyology), but no, we have to hog an entire field of study to ourselves, because we’re that special. Though exactly what type of “special” is sometimes not obvious. Anthropology itself can be hacked into four big chunks:

Archaeology:

The typical archaeologist at work

The typical archaeologist at work

The study of past cultures through examination of their material remains. Tragically, these remains usually lean more towards broken chunks of dinnerware and less towards platinum-engraved golden vases with symbols depicting enormous ancient evils. Still, despite the waning interest many feel towards archaeology when they realize its practitioners are not bull-whipping adventurers, it plays a vital role in understanding exactly how those interesting folks white people genocided used to live before we killed them and smashed up their stuff and then looted and raped whatever was left over.

Biological/Physical Anthropology:

The magic of biology lies within.

The magic of biology lies within.

Loads and loads of stuff. From genetics to forsenics to examining apes uncomfortably closely, biological (or physical) anthropology states that examining “the human condition” is for sissies and gets down to examining the bolts, nuts, and other assorted equipment that allow us to fill our busy time watching Raiders of the Lost Ark and masturbating, although hopefully not both at once. A subfield within physical (or biological) anthropology is primatology, because chimpanzees and company are just close enough to human that we feel compelled to make endless documentaries about them while killing them for bushmeat. Let no one say that humans do not do unto others as they would do unto themselves.

Linguistic Anthropology:

An intriguing and deep example of languages and cultures colliding.

An intriguing and deep example of languages and cultures colliding.

The study of how hue-mens lurn 2 spek gud. Language and culture can interact in all sorts of interesting ways, such as Inuktitut having lots of words for snow or present-day English having lots of words for calling someone homosexual in increasingly less-than-complimentary methods. Tracing these interactions is the job of linguistic anthropologists, as is the task of discovering the roots and sources of modern languages, and the preservation of failing or extinct ones. Here’s a do-it-yourself activity: show a linguistic anthropologist a sample of leetspeak just to see what happens, and try to get the whole thing on tape.

Cultural Anthropology:

The frescoed ceiling of the Sistine Chapel.

The frescoed ceiling of the Sistine Chapel.

Petroglyphs from Gobustan.

Petroglyphs from Gobustan.

The lolcat, from photoshop and brain damage.

The lolcat, from photoshop and brain damage.

The study of culture, that ill-defined mass of beliefs, prejudices, accepted common knowledge, values, attitudes, and symbols universal to humans the world over. It’s adaptive, society-defining, personality-shaping, and sometimes so mind-bogglingly complex that you wonder how in heaven’s name the collection of bipedal fruitcakes you know could manage to remember half of it, let alone create it. It’s as expansive and varied as the imagination of a toddler on 100 cc of sugar injected straight into the jugular, and sometimes its products seem even less realistic than that metaphor. And without it we’re not all that much. It influences or controls when, how, and what we eat, sleep, and drink, what we find attractive, hot, disgusting, and boring, our gender, the roles of our gender, our religious beliefs, our outlook on life, the universe, and everything, and whether or not we’ve heard of Douglas Adams.

The issue with culture is that a lot of it is based on symbols, and one of the qualifiers for symbols is that they are basically stuff that gets arbitrarily assigned value – they symbolize something entirely different from their actual properties (like a lion or eagle symbolizing nobleness/freedom/who gives a toss). This means that most of anyone’s culture makes no sense, which presents an excellent explanation for why ethnocentrism (the judging of another culture by your own culture’s standards, underlined with the smug, wine-scented trace of self-assured superiority) is bull: you’re judging another person’s arbitrary crap by the quality of your own arbitrary crap. This doesn’t mean that you have to tolerate anything and everything without exception (such as, for example, burning witches, or invading continents and wiping out most of the indigenous population through disease and warfare while not really acknowledging them as “real people”). It just means you shouldn’t automatically presume that you’re right because your society is right because you were born into it which means you’re right repeated ad nauseum.

When it comes down to it, cultural anthropology tries to take you by the forehead and jam that ignorant, insular dome of yours into the billion different varieties of human life on the planet, and if you come out of it dizzy and going “woah, I think I see the innate absurdity and familiarity of all cultures, including my own!” then it’s probably succeeded in its goal: removing your head from your backside. Then, if you’re like me, you eat some salty deep fried foods and forget all about it. Cultural anthropology can be frustrating like that.

All original material copyright Jamie Proctor, 2009.

  • Picture Credits:
  • Indy grabbing the idol: Screenshot from Raiders of the Lost Ark, 1981.
  • Outhouse: Public domain image from Wikipedia by user Oven Fresh
  • Terrible subtitling on Star Wars: Revenge of the Sith: Someone who did not conduct his linguistic anthropology properly.
  • The ceiling of the Sistine Chapel: Michelangelo.
  • Gobustan Pictoglyphs: Public domain image from Wikipedia by user Baku87.
  • Yet another lolcat: The internet. Somewhere.

Storytime: The Highwayman.

June 10th, 2009

November 2nd – Finished moving in – both the bedroom AND the living room are now furnished with my total of five bits of furniture. The bathroom I’m leaving as it is. This house really is a piece of shit – three rooms, one garage, and ten feet from the highway. God knows what sleeping’s going to be like. This job had better pay off…

November 3rd – Apparently when someone says “we’d like to hire you” you should know that they are also saying “if the five better-qualified applicants all drop dead of heart attacks within the next two days.” Assholes. Now I’ve got nothing to do but sit around in this shack, with nothing but fifteen boxes of Kraft Dinner for company, and check the classifieds. And I don’t know if I can take much more of this… last night was hell. I just sat there in bed with my eyes wide open listening to that goddamn highway; the noise was almost hypnotic. I could barely blink. My eyelids are so dry that I still don’t think I can.

Well, it’s nine. Time for another night from hell.

November 4th – The classifieds suck. But they did offer me five minutes of entertainment when fashioned into crude paper airplanes and hurled across the room. Then one bashed into a wasps’ nest that had been quietly sitting unnoticed in the corner of the living room and I had to spend the next hour fighting for my life. I really do hate this house.

Now for another restful sleep.

November 5th – What is it with this town; did all the jobs fly south for the winter?! Out of the five thousand, nine hundred, and forty-two cars that passed last night, not one stopped in this cow-pie village. Yes, I counted. In addition, two thousand, three hundred and seventy-six trucks went by last night. And one boatmobile.

Three nights with no sleep and no blinking – strange, I don’t seem to need to anymore – have glued my eyelashes together into two solid masses. It’s almost a good thing – gunk had started to accumulated on my eyeballs, but now I can kinda twitch my cheeks and these things brush ‘em off.

Night four begins in five minutes.

November 6th – I can’t blink anymore even if I try. I’m getting better at the eyebrow wiping, though. Now I can do it almost as instinctively and periodically as blinking. Whoop-de-do.

I’m starting to get more used to the highway sound, but I still can’t sleep. Not that I care anymore.

November 7th – Yeah, still no sleep. I think my eyeballs have enlarged; somehow, there doesn’t seem to be much room left for my nose in the middle of my face now. Also, my premature baldness has accelerated. It’s like the house is determined to drag me down with it.

November 8th – I couldn’t sleep last night, so I moved into the garage. I won’t say I fell asleep, but I got some rest. I’ve just noticed that my skin’s getting all weird now – almost calloused-hard, but smoother – so maybe that has something to do with it.

Time for another evening of highway music. Y’know, I almost welcome it now. Though since my days are spent looking at the classifieds without really reading them, I guess anything’s an improvement.

November 9th – Rested in the garage again. I think I’ll move in here.

I’m getting fat. Not sure how, since I’ve only been eating Kraft Dinner, and that’s twice a day. All I know is that I have to go sideways through doors. Getting harder to turn myself around, too. I’m looking forward to a good evening of highway.

I think my eyeballs met this afternoon. My perspective just went “bink” and there they were. Makes spotting flies before they land on me a helluva lot easier.

November 10th – When I came out of my rest this morning, I was listening to the Pussycat Dolls somewhere behind my left ear. What was left of my hair had twisted itself into a little aerial overnight. Found out I could change channels by sticking my finger in my ear and swivelling it, switched it to a classic rock station, and left it. Useful. I’ll turn it off for the highway tonight, though.

November 11th – I lost my nose this morning. I’m pretty sure that no one else besides Michael Jackson can say that. I just came out of rest and it was gone. Feh, the thing was too big anyways. Although it had been getting smaller recently. Commemorated the moment by switching my head to Michael Jackson for five minutes, then turning it off when I remembered how much I loathed his music.

November 12th – Stopped eating Kraft Dinner. Not really hungry anymore, although I keep getting bulkier. It’s getting harder to even use this Dictaphone – my fingers are getting stubbier.

Highway was nice last night.

November 13th – Gasoline is surprisingly tasty. No, really, it’s great. If it tastes bad when you drink it, you’re just not doing it right. The trick is to pour it into your ear.

That’s odd… my other ear vanished. Probably not important.

November 14th – I’ve discovered that it’s far easier to move around on my hands and knees than any other way. Well, I think they’re my hands and knees. They’ve kind of blended into my arms and legs. Eh, same difference.

November 15th – My teeth have intertwined into some sort of grill. This is really, really, REALLY bad news. I hate rappers, and I hate bling. At least the grill isn’t gold – it’s more shiny, like stainless steel.

November 16th – Thought I saw something on my grill, looked in a mirror, and realized it said “Honda” right in the center of it. Also found out that my nose hasn’t vanished, it just shrank. It looks like some kind of little ornament sitting on my hood. I mean face. Whatever.

November 17th – Der grill haff competely fealed off my teef. It’f getting hard to tark. Feh, who caref. Der highfay iff ‘ooking ‘etter and ‘etter. I fink Im gonna go for a drife foon.

Problem iff… the garaffe door iff fhut. Im gonna haffa get fhrough it fomehow, an’ my handff are gone.

Hey… there’ff some high-octane fuel in here. Wonder who left it?

November 18th – Vrrroom, Vrroom, Vrrom, muuuuuuururrrrrrrr – screeeeeeaaaaaaacccchhhhh…

CRUNCH clANG CRunK!

Vrooooommm…

Copyright 2007, Jamie Proctor.


Storytime: Rocks.

June 3rd, 2009

Rocks. Damned rocks.

There they go, on as if without end, past the horizon and the horizon beyond it, over and onward, backwards and forwards, in front and behind. Big ones, medium ones, and little ones that are just chips off the first two kinds. Rocks. Damned, damned rocks. Black, jagged rocks. Damn them.

I don’t know a lot about geology, but I’m sure these aren’t granite, gabbro, slate, sandstone, flint, or limestone. They’re just rocks. Black ones. Come to think of it, they might be obsidian. Who knows? Not me.

I hate the rocks. I hate them so much that there’s barely any effort in it anymore; the kind of old, polished hate whose reason is a solid and fused mass of issues and grievances all tangled up beyond unknotting. Still, easy examples leap to mind.

They’re rough. Very rough. Rough and uneven, hell on your feet, like walking on sandpaper forever and ever. They have sharp edges to cut yourself on and blunt ones to stub your toes against, and there’s never telling which you’ll see next. The sun lies funny on them, so you can never tell if that’s a shadow lurking there or a hidden indentation that’ll trip you up and send you stumbling, grating feet and fingers alike as you flail and struggle to keep your balance, grasping at rocks to save yourself from other rocks. It’s self-defeating, like everything else here.

It’s a Sellennian custom, you know. I don’t know how long they’ve been doing it, but it’s been time enough for them to make it an art, an art out of a criminal sentence. They serve out the verdict (guilty as hell in our case, with loads of witnesses to boot – god, we almost deserved acquittal on grounds of mental incompetence), they let you stew over the prospect of a long, hard slog through a prison, years of your life delicately sliced off day by day, and they watch you squirm very calmly and politely, and then, discreetly as hell, they inquire if you would prefer the alternative sentence. It’s all very polite and very neat and, in retrospect, funny as hell. I tell you, no matter how well-known it is that Sellennians have no sense of humour, it’s a lie. They like a joke as much as any of us, it’s just that they’ve got stuck on this one and like it too much to let go, setting up the delivery and listening to the punch line over and over and over again. They never get tired of it.

So, cautiously, you ask what this sentence is. And they lay it all out for you, openly and without a fuss: you must walk.

It’s a long way to walk, they say – halfway across the planet’s largest continent, they’re more than willing to produce a map and give you measurements and distances – but it’s doable. They’ll give you supplies of a sort, and drop you off with a bunch of other people who took the same deal. They never let you go in a group smaller than ten, and some people have to wait a few weeks until they’ve got a full quota. If you wait for more than a year, they let you go. Or so they say. I’m more than sure that no one’s ever been able to test that promise.

The supplies aren’t a lie. They shoot you up with something in a series of injections with pointlessly large needles. They say it’ll keep you going without food or water for months and months, maybe a year or more, if you’re lucky. I don’t know how it works; if I did, do you think I’d have sunk to trying to knock over a bank? It also cuts down on your need for sleep, which, they so graciously inform you, should reduce the duration of your little pilgrimage by quite a lot. It doesn’t work like you’d think; it’s not that you don’t sleep anymore, or that you sleep less. It’s that your sleep isn’t sleep anymore. You’re only half-awake, half-asleep, and you can walk like that. It’s harder, and you slip up more often, but you don’t feel it as much until you’re awake again and you’ve got another cut, another bruise, another scrape to watch and not-quite-notice over the days it takes to fade.

What it all adds up to is that there’s nothing to distract you from your walk. You’ll get tired, yes, but once you get tired enough you’ll drop into half-sleep, not-sleep. You’ll get hungry, but it’s not real hunger. And you can get as thirsty as you please, but no further, because you really aren’t. Which, strangely, doesn’t make it any less of an irritant.

Anyways, after they’re done pumping you full of mystery drugs and nutrients, they pack you into a cargo flyer and zip you off smartly. It takes a few hours, and then you’re being set down above what you have been told is one of a score or so locations within a few hundred miles of the center of the continent. Start walking in any direction, says the pilot. Sellenn’s coasts are packed with one-hundred-percent of its population, so as soon as you hit the sea, you’re safe in civilization again. Make it to the coast, and you’re free with all charges cleared, no matter the crime. And they won’t hinder you in the slightest, which makes the whole thing even funnier.

So, right off the bat, you get together with your fellow convicts and erstwhile hikers and have a little chat. You pick directions, ask if anyone else wants to come, and set out. Sometimes it’s in twos and threes, sometimes all in one big bunch, and sometimes they all walk alone from the beginning, out of sight and into mind after the first few miles. Still, the distances bend and stretch as some fall behind and some pull ahead, and the angles of their paths waver unwittingly. Past the first month or so and you’ll walk into people you’ve never seen before in your life, on other courses, moving in other directions, from other starting points. There’s no point in talking to anyone by then, and you’ll move past and around and alongside them with the laden, uncomfortable silence of two men passing in a tight corridor as you walk, hundreds of feet between you while the overlarge sun shines in Sellenn’s wide, damnably-blue sky, beaming down on both of you and the rocks. The rocks don’t mound into hills, they don’t roll into valleys; just rocks, rocks, rocks, all the way from wherever you are down to within a few miles of the encircling coast that surrounds you completely at all times yet remains infinitely out of your reach. Maybe that blurred line in the far distance is the darkling ocean of Sellenn, lapping quietly at a forested shore. And it’s definitely just another row of rocks, squatting on the horizon, blotting out time and sanity.

After a while, your mind starts playing tricks on you. Have you seen that rock before? You shift your vision, halt your pace, and squint, and then decide that you haven’t. Then you resume your trudge, all momentum lost and weariness creeping up in you once more, and sure as the sun rises, five seconds later you’ll have stopped and looked again. The déjà vu will lurk in your hindbrain unceasingly for hours, long after the worrying rock is lost to sight, tickling strange dark thoughts. Have you looped back in on yourself? Are you walking in a circle? No way to ever know.

The sun doesn’t help. It’s hot. Not hot enough to bake, but hot enough to make you uncomfortable, and the damned rocks absorb enough heat in the daytime to get to that exact degree of temperature that makes bits of grit and rock dust stick to your sweat. It doesn’t end when the sun goes down either; the moon comes up and you bump into things even more often with the decreased visibility, its shiny white light just enough to ruin night vision, yet not quite enough to see by. You’ll think about resting, stopping, but then you start to imagine things. You imagine every second between you and the end of the nightmare, and then you imagine those moments of time as a vast pile of those damned rocks, heaped up high in front of your goal, every black stone a second spent walking. Then you imagine resting, and watching another stone drop onto the pile with every idle second. It doesn’t take long for you to start moving again, if you halt at all.

Now and then, people die walking. You come across the bodies; or, more rarely, you’re close enough to see it happen. They come to a spot where they need to clamber up a heap or sidle around a ledge, and they just keep walking, bodies smacking on black, uncaring rocks. The pettiness of it all is the bit that’s really funny, the part that must have the Sellennians slapping their knees. Dying by walking into a canyon, dejected and hopeless, is a tragedy. Dying by falling into a three-foot pit that you should’ve, could’ve stepped across is comedy. For some people. Sellennians.

I’ve been out here for who knows how long. I have no watch and lost track and interest after day eight. I could’ve been out here for two months or three years already, and I wouldn’t know. How long it’s been isn’t what’s bad. What’s bad is how long it feels. It feels like hell, real hell, the kind with no devils or demons or brimstone, the kind that’s realized that all you need to make someone truly face despair and crumble is an eternity of small cruelties and inconveniences towering over you. Forever. This isn’t a bad approximation, for something within the finiteness of life. It certainly explains the ones who walk to their deaths. If the worst theories of the afterlife are true, they’ll at least have experience, and hopefully, a change of scenery from rocks. And if it’s anything else – anything, down to and including utter oblivion without hope or any other emotion, thought, or shred of existence – than it can only be a relief.

Whenever my thoughts head this way, I find myself losing focus on my walking and collect a few scrapes before I pull myself back together. Maybe one day I’ll just go with it, go out without a bang or even a whimper. I’ll give a Sellennian a chuckle, another repetition of the same old vaudeville sketch, another delivery of the finely-aged punch-line. God knows how long it’s been being told, or who the original comedian was. If this is as close to hell as I think, at least Satan, whatever else anyone can say about him, has a sense of humour.

Is it a bad thing that the idea of the chortling Sellennian makes my spirits lift? Just the idea of happiness, anywhere. That it can exist somewhere, somehow. Maybe. I don’t know.

Is that blur on the horizon Sellenn’s tranquil sea? Or is it more rocks, black, jagged rocks. It is. It will be. Forever and ever.

Amen.

“Rocks” copyright Jamie Proctor 2008.


Storytime: A Sword and its Story.

May 27th, 2009

I’m not very good with math. My own, pet theory on this is that people start by learning to count on their fingers, and I don’t have any. Regardless, I’m not any good with dates sort of by association, and thus you’re going to have to forgive me some vagueness.

I was initially forged back in the Good Old Days, when killing was up close and personal – unless you were some persnickity little fuck with a longbow; luckily, they weren’t everywhere yet.

My creator, a thorough and passionate admirer of this stirring feature of his time, proclaimed me his masterwork, and gifted me to his lord in lieu of rent, or tribute, or whatever they called it in those days. His Lordship (I think his name was something that started with “s”… Stewart? Sven? Sam?) was highly pleased with me, but, clumsy-though-well-muscled sod that he was, managed to snap me in two with a misaimed practice stroke that smashed me into a wall. Livid, he flung me at my creator’s feet and proclaimed him a worthless toady, then forced him to pay double.

My creator, though a remarkably skilled and cunning man, was quite human (thank goodness I’m not like that) and took this hurt as a matter of pride. He promptly took himself into seclusion for several months, turning away all business, during which time he re-forged me in a cauldron of boiling blood obtained from his brother-in-law (he was a butcher and sold him some cattle blood. What were you thinking?).

When I came out, gleaming fresh and bloody, he used me to sacrifice a lamb to something with far too many consonants in its name and declared me alive, at which point I woke up quite suddenly. Very shocking, really. You people get a nice slow start to sentience, transforming from screaming feces machines to illogical, self-centred brats to semi-logical, self-centred jerks gradually over many years. I got a fully developed and working intellect in a split second, with a handful of memories from being a metallic implement. It shocked me dreadfully, and I’m very thankful for the many weeks I spent hidden away in a locked trunk in my creator’s cabin. It gave me some time to sort things out: a few tricky existential questions that most people don’t think about when they’re young and never recall when they’re old, and many, many, many hours of elaborate speculation upon the nature of knots in pine wood, and on what sort of noises cockroaches made depending upon their relevant health (my hypothesis on limping roaches hissing more was never confirmed or debunked to my satisfaction).

Anyways, after quite a long period of trunkishness, I was unearthed by my creator and used once more as tribute to the lord. My creator explained, with a twinkle in his marvellously canny little eyes, that I had been specially re-forged to be tougher so that none of his Lordship’s little high-spirited moments would split or sunder me. Being the oaf his Lordship was, he proceeded to test this by ramming me into the floor. I was the most surprised person there when I not only didn’t snap, but clove almost full-length into it (through a stone block, might I add).

Needless to say, his Lordship was most impressed. My creator was given full room and board in his castle, a dingy little thing that was nevertheless the height of luxury compared to his squalid shack. He moved on to smithing many intricate and clever things, like torture implements and other weapons. I was never possessive towards him or jealous about them; they were mere instruments with no minds of their own. It would be like a human becoming envious of a beloved’s dog. Also, my creator had virtually no redeeming values, something I was aware of from the start. He was greedy, petty, vengeful, and unappreciative of his own gifts. I was incapable by design of many of those flaws, but I was determined to avoid those that I could.

His Lordship eventually used me in actual battle, an exhilarating experience for him and me both. My incredible cutting edge allowed him to stand against almost anyone, and I must admit, there is something seriously thrilling about being the only reason an otherwise average schlup is capable of performing any of his deeds. He himself didn’t see it that way, of course, but he still boasted long and loud of his “miraculous magic sword.” Of course, it was only a matter of a few more weeks before a hired cutthroat performed the duty of his name upon his Lordship whilst he slept and absconded with me, which was pretty much what my creator had planned for in the first place. I never heard of him again, but I like to imagine that he died in a painful and undignified manner, which, given the era, was probably betting with the odds.

The cutthroat gave me to another petty tyrant (possibly a baron?) who’d decided that one of his immediate underlings possessing an undefeatable blade was poor planning. He promptly paid the cutthroat by lodging me in his chest cavity. I’m not sure why he didn’t expect that.

My new wielder was a far craftier man, one who reminded me uncomfortably of my creator, only of higher birth. Being crafty, he wasn’t dumb enough to fight anyone unless he absolutely had to, which meant that I didn’t see use past ending the life of my burglar for several years. Than one day one of my wielder’s rivals set the peasants to rebelling, using the cunning argument that his unjust rule was preferable to my wielder’s capricious regime. My wielder’s guards were swarmed on the ramparts by angered peasants, and I was soon being used inside the keep’s walls in a truly exciting melee. It was magnificently entertaining after such a lengthy period of boredom, and I daresay I was the deciding factor in the baron’s victory, allowing him to smite down brawny foes and those better-skilled than he with ease. He was so pleased by his snatching victory out of the jaws of defeat that he promptly led a counterattack against his rival’s keep, which sadly doomed him to, well, doom. He’d forgotten in the heat of the moment that his nemesis had sent only a few of his henchmen out to whip up the mobs, and that he still possessed a sizable stable of thugs as opposed to the baron’s scanty and much-depleted band of brutes. I still performed more-than-adequately, but the baron, alas, did not. I can’t say I mourned him that much; he’d been an odiously boring schemer and then a hot-headed fool, exchanging one vice for another in a most silly and carefree manner. I believed I might’ve had something to do with it, but I didn’t care at all. Still don’t.

Well, after that things got sort of hectic. I moved from hand to hand like the world’s most temperature-enhanced potato, my speed of ownership-changing hastened by greased palms. The preferred grease was blood. Most of my owners were unmemorable, violent scum, and by the time I realized that the amount of fascination I commanded couldn’t simply be the result of my more-than-impressive capabilities, I was quite happy to learn that I cursed almost all of my carriers to violent deaths. Quite frankly, the sort of person who seeks out an object of pure violence and then revels in using it for its intended purpose should scarcely be surprised when he dies violently, don’t you agree?
Now and then, given the fullness and abundant lengthiness of time, I ended up being used by someone halfway decent. I couldn’t really prevent my curse from functioning, however, and more than often I didn’t want to. Most of the nicer ones weren’t as prone to using me, which I must admit I found quite annoying. Being picked up by some maniacal hacker was almost refreshing after spending a year or two hanging on a wall. The most egregious example led to a truly startling revelation on my part.

My current wielder was a truly bloodthirsty man, a skilled combatant, a warlord on the rise, who had the bad luck to try to charge a man with a longbow. Guess who won that one. I was looted from the battlefield and spent a few months being traded, sold, and resold, with occasional murderous theft, before ending up in a monastery under the possession of the abbot, a renowned scholar. I was placed back into wall-hanger status for twelve years, during which time I was meticulously scrutinized by the man so many times that to this day the very sight of anyone with any of his facial features (beaky nose, square jaw), makes me feel ill.

The one blessing out of the whole incident was that it gave me a very long time to think, and even that was offset by the depressing truth that there wasn’t much for me to think on. I don’t have existential questions. For me, it all boils down to “I’m a sword.” I was made to hurt people, I do my best to keep my function going, and the fact that I inevitably lead violence to my owner is a mere side-dish on the dinner-for-one table arrangement of my existence.

At any rate, I found myself witness to all the comings and goings of the monastery’s important business, due to my wall-hanging position within the abbot’s chambers. Quite a lot of this business was done through the abbot’s right-hand man (his name eludes me, as does that of the abbot), who was much more savvy in real-world matters, although he wasn’t as well-educated. He was whole-heartedly devoted to the well-being of the monastery, but he held a very small spark of resentment quite close to his soul, that he, the man who held the place together as much as its mortar, was put beneath the man who was at best a vague overseer, and who, despite the best efforts of his advisor, would occasionally ignore his advice.

One day, this overlooked and underappreciated man was leaving the abbot to his contemplations after a somewhat fruitless attempt at persuading him to take a certain diplomatic tack. As he walked beneath my place of hangment, I could almost smell the pent-up frustration and anger streaming off him (I have no nose, but you will, of course, allow me figures of speech). In what seemed the most simple and natural thing in the world to do, I reached and suddenly he realized that all of his problems would be solved if he simply became abbot. Then the monastery would be led properly. He shook off this disturbing turn of thoughts immediately, of course, but it remained in his head as he departed.

I was left with spinning thoughts of my own. No longer would I have to suffer through months or years of inactivity! Now I would control my own fate, wielding my owner as he did me, choosing the next in line for my use! The exclamation points of triumph roiled through the paragraphs of my imagined future in an epic of joy!

From then on, every visit planted seeds of annoyance, peevishness, and general furiousness in his head at the tremendous ineffectuality of his superior. Eventually, I had him musing that the only method of promotion sure to work would be murder. But how to murder a fit and tough man, certainly stronger than he was? He knew little of poisoning, and hiring cutthroats would leave a trail. Of course, immediately after that he couldn’t help but remember the marvellous antique sword mounted upon the abbot’s wall, upon which the man himself had frequently and earnestly expounded, lingering upon its incredible cutting capabilities…

It was a bit messier than he thought it’d be, and he was caught trying to clean up after himself. I’d planned that too… a lack of turmoil meant I was doomed to wallhangingdom. I was used to hack through the nearby witnesses (a moment of mental nudging was required there), and then I was in the possession of a newly-minted and aged-soul’d outlaw, where I remained for several exciting years of hack-and-slash robbery before he committed suicide for me, a new and bothersome event. Luckily, he had the good grace to kill himself within snooping distance of a fairly well-traveled road (he was a highwayman, after all), and so I only had to endure a few days of being stuck through the ribcage of a rapidly-putrefying corpse.

The owners came on, and the times moved on. Once gunpowder weapons began to really proliferate, I began to change wielders much more frequently, an event that was not without risk. On the other hand, the black powder of death wasn’t the only step forwards… I began to see more and more of the world as humanity became more well-travelled, and some of it even before the metallic sceptre of the gun overshadowed all; I saw the crusades firsthand, for instance, and flipped from side to side almost every battle.

I made it to the new world at the side of a conquistador, and eventually found myself slipped between the ribs of Montezuma the second, although as to who my wielder was I will remain silent. What’s the romance of history worth when all its secrets are laid bare?

I ended up in the Caribbean, and was used with admirable effect by someone named something like Edmond (Edwin?) Torch, one of the few of my owners I deign to even attempt to remember properly, for, despite his vulgar vices, he was exceedingly deadly. He died headless, and I was claimed by a British sailor in the confusion after his death. This led to a somewhat perilous existence for many decades, being used by naval men of all nationalities and stripes, constantly in fear of being lost overboard, a fate which very nearly occurred more than once.

Eventually I came to the great wars of Europe, and I found a world that had left me behind quite badly. Guns were everywhere, but there was still a place for me in the brutality of close-up combat, where still nothing could match a good cutting edge, and my cutting edge made “good” appear as dull as the louts I was slicing. It was interesting for me to find, as the lead-spitting dragons gained prominence, that here was the time in which I acquired the greatest body count, this special era before the utter predominance of the ranged weapon, when the ability to carve your enemy’s face off was still more than merely useful in some situations. Several times I came within spitting (well, sighting anyways) distance of Napoleon himself, on various sides. Despite the enormous pileups of corpses that were frequent, I never was left on a body long enough to be missed – even if no one’s eye was caught and dragged to me (as often happened, and easily), I would snag their interest by force.

The times moved on, and the wars did too, going ever-farther away from the age of the blade. I saw some action in colonial Africa, but alas, that was the last of the big battles for me. There was no place for me in the War To End All Wars, nor its hate-fuelled successor, and at last I saw that the guns had won. What did I do then, you ask? Why, the obvious: crime! As I was no longer the weapon of choice for official slaughter, I would humble myself enough to engage in outside-the-box stabbing. Although somewhat archaic-looking compared to the switchblades and shivs of the modern thug, my effect was unquestionable. The only major downside was that I was immeasurably harder to conceal – a two-and-a-half-foot blade as opposed to a five-or-six-inch one. In retrospect, my eventual confiscation by the authorities seems inevitable, but at the time I was too busy cursing my luck to think about that.

I was taken to several different experts of medieval arms, who were able to date me and half-guess at my place of origin (I think they were correct, but I’d forgotten both by then). After all this, I was hauled off to a museum, where I remain to this day. The ultimate wall-hanging.

The security around here is too intense for me to try and tempt any passer-bys to taking me, and those who could disable the alarms and remove me without incident too rarely pass by. I’ve been here for twenty years or more, and it may be my fate forever.

The time of swords is over. There is no place for me now except as a wallhanging, and while I used to dread that fate, it is what is expected of me now, and so I accept it gladly. This situation is by no means permanent, anyways. I hear bits and pieces of the world as it walks by my display case, and who knows? In ten years, twenty years, thirty years, a hundred years, there could be a time when the blade will be needed once more. Whether because the black powder dragons have had their day and died in the pyres of a fading civilization, or because one of the old horrors you no longer believe has awoken from a great sleep.

Oh? You don’t know of them? Ha! You’ll believe in a sword with a mind of its own, but not in dragons, trolls, giants? Don’t be so devastatingly grounded in the present – it very well could end badly. You can fight fire with fire, blade with blade, gun with gun, and achieve stalemate, but to seize victory you must bring other tools to bear. Fight fire with water, blade with bow, bow with gun… and beast with blade.

I had a place in this world. Now I have another, and likely not the last.

“A sword and its story,” copyright 2008 Jamie Proctor.


Storytime: On the Environment.

May 20th, 2009

Air is funny. It moves around when it’s warmed and it slows down when it’s chilled. This results in all sorts of odd things happening, which most of the things that live on earth, surrounded by air, call “weather.” It includes all sorts of water (frozen solid and kept liquid) falling out of the sky via big clumps of vaporized water hanging about miles up in the air, swooshing and swooping sheets of air frisking about as they sweep from one bit of sky to another, and all manner of other things.

Most things that live on top of the earth spend their lives surrounded by air. Almost all of them need to breathe it to stay alive. It’s quite a bit like water then, except you can’t make snowballs out of it once it’s frozen. Also, the only things that can move around through air itself are the ones that have wings, and it’s a lot trickier to go about than moving through water, mostly because air is much thinner, and if you aren’t careful about flapping through it, you just fall and go thud, thwack, or thunk, depending on what you land on.

A really interesting thing about air is how thin it gets the higher up you go. Things can get dizzy and pass out and need oxygen tanks, and the boiling point of water drops, which makes it very difficult to hard-boil an egg on Mount Everest. This doesn’t happen very often, but when it does, the thing boiling the egg becomes very annoyed. Imagine if you’d dreamed all your life of having a boiled egg with toast on Mount Everest, but were too lazy to look up the troubles of boiling eggs at high altitudes, and then your dreams were crushed right at their very end. Actually, you’d probably deserve it; if you didn’t care enough to learn about it, it was probably just an idle whim that you obsessed over, most likely irritating everyone around you while identifying you as shallow and thoughtless. Shame on you. Unless you haven’t had this particular dream, in which case said shame is undeserved and may be ignored.

Air can be compressed, you know. You squeeze it until it’s under pressure, and then you can keep it in small containers. The one problem with this is that if the container gets punctured it sort of sprays everywhere very fast, which can be quite dangerous. Air isn’t the only gas that can be compressed, of course. Oxygen is often compressed, for use in scuba gear tanks, but not usually all by itself, for safety reasons. You can use air in a scuba tank too, of course, but if you go too deep you’ll suffer from nitrogen narcosis, act drunk, and possibly die, usually from acting drunk more than one hundred feet underwater, which most things think is fairly stupid.

Anyways, air is awfully important because it forms our planet’s atmosphere, and without that nothing would be alive at all, which would be pretty depressing, to say nothing of boring. There’d still be lots of interesting things around, but there’d be no one to talk about how interesting they are. If that isn’t boring, what is?

Water is like air: a thing to move through, a thing to live in. The things living in air dispute this sometimes. Water, they say, is plainly something, while air is more like nothing. Therefore, they say, when you live in water you’re living in the middle of something, while to live in air you’re living in nothing. What’s interesting is that these things often don’t realize that if they were right, they would be living a most empty and disjointed existence, with no connections whatsoever to one another. It’s thankful that air is something, then, even if it does mean that fish can choke on it. That’s another proof right there: how can you choke on nothing?

Anyways, water is something to live in, and it’s deliciously, fragrantly good at it. It supports and comforts, coddles and nourishes, and is much more exciting to splash around than air, which doesn’t really splosh well, or earth, which can take someone’s eye out. Also, if you live in water, a much more sizeable slice of the planet is open to you – not only is far more of the world water than land, but water has the great advantage of containing far more up-and-down-ish-ness, which makes it even roomier. On the downside of this is that most things prefer to stay within certain areas, but that’s the way life is anyways. It doesn’t like change, even if it spends its life looping from the north pole to the south pole all year. That’s not change, that’s habit.

Things that don’t live in water are pretty varied in how they treat it. Some of them don’t like it for any sort of reason (it makes their fur wet and damp, it’s full of things that think they taste nice, it’s hard to get around), and others like it quite a lot (it’s full of tasty things, it’s good for bathing in, it’s fun to splash at people). A lot of them could take it or leave it. However, they all need it to stay alive, so they all love it very much in at least one way.

Most of the water on the planet is saltwater, or seawater, which isn’t very good to drink, mostly because of its distressing tendency to kill things that try to get nourishment from it. Stick to freshwater. It’s much, much, much rarer, but it doesn’t kill you unless it’s contaminated, or boiling, or freezing, or you’re dropped into it from somewhere very high.

Water has quite a lot of ways to kill things, actually. If it’s too warm, you’re cooked by it, if it’s too cold, you freeze from it, and if it’s too full of things that find you toothsome, you’re eaten in it. That last one isn’t really water’s fault, though.

You can float some things on water, like most wood. Most rocks just sink, though – but not all rocks. Pumice floats in a most buoyantly exuberant manner.

Most of the things that live in the water have to stick to a certain shape, to allow them to move around properly. This happens because water’s much more solid than air, which of course makes most things think it’s nothing, as opposed to water being something. We already went over how silly this was, so I’m not going to do so again.

It’s widely agreed that all life on our planet started out in the water, as tiny little things and bits that lived only to produce more of themselves. That’s sort of like now, except scaled-down a little bit, for things.

Earth is a few things: a kind of soil, the planet we’re standing on, and what we’re going to call the ground, for the sake of simplicity. Actually, that’s just making a word with a complicated bunch of meanings more complicated, so it isn’t simple at all.
If it weren’t for earth, we wouldn’t have anything for water or air to cling to, which would mean we wouldn’t exist. Well, our atoms and molecules would, but they wouldn’t have much to do with us, unless you’ve always fancied yourself to have a strong resemblance to an interstellar dust cloud or asteroid. Most things don’t look like either of those, although there are always exceptions. A snapping turtle has a very bumpy shell that might look a bit like an asteroid to some things.

Nothing breathes earth, which makes it a little different from air or water. On the other hand, plenty of things live in it, and it gives vital nourishment to life, just like air and water. So it’s really pretty similar there.

Earth contains all sorts of interesting things, like metals. A certain kind of thing uses metals to make many objects, particularly ones to kill their fellow things. It’s all a bit strange, but they assure us that there’s a good reason.

One of the odder things about earth is that if you go down far enough, it’s revealed to be sitting on molten rock. It’s divided into huge, crusty, curmudgeonly plates that slide around whacking into one another, like very big and very old bumper cars, except not at all. Most things didn’t believe this at first when someone thought of it, but then they decided it was all right. Some of them still think it’s wrong, but they’re the same ones who think that the planet is only a tiny, tiny fraction of its actual age just because they said so, so we can ignore them. It’s good for us, and good for them too, so everyone comes out ahead if we do that.

Quite a lot of things live inside earth. Many of them have lots of legs, or no legs, or are microscopic. Actually, given the population of things on the planet, you’re unusual if you don’t have a lot of legs, but not nearly as unusual as if you aren’t microscopic. If you didn’t notice this, it’s probably because you aren’t microscopic, since things that aren’t like that have a bit of trouble seeing things that are.

Another important thing about earth is that most plants grow in it. Since plants take the gases things exhale, and turn them back into the gases they inhale, this is pretty important. This is also why chopping down enormous forests of plants is a little silly, because then we won’t have anything to breathe. This is quite related to air, when you think about it. Really, air, earth, and water are so tangled up that it’s amazing, but that’s how the planet works.

An important thing to note about earth is that although it has lots of nifty things in it (like metals and fossil fuels), it doesn’t have endless amounts of them. That would mean we would have an endless supply of earth, which would be quite stupid.

Well, that’s about it. If you thought I was going to put fire in here, you were wrong. The sun’s a big ball of fire that keeps us all alive, and the earth’s core is made of magma, but nothing lives on them, or in them. So it’s not here.

Did you notice how all the bits were connected to each other? It sort of happened that way, and it’s complicated. Sorry.

“On the Environment” copyright 2008, Jamie Proctor.


Storytime: Concert

May 13th, 2009


“So, what happened to the finger?”

“GAH! Easy on the poking!”

“I’ve got to figure out where it broke.”

“I thought doctors were supposed to PREVENT pain…”

“Nasty break – and you’re going to need stitches, too. What caused this?”

“It’s sort of complicated. You know that big concert the symphony orchestra was doing tonight?”
“Yeah. You’re one of the musicians, aren’t you.”

“The tuxedo tip you off?”

“A little. Anyways, how’d this happen?”
“Like I said, it’s complicated. You see, everyone was a little tense throughout pretty much every rehearsal, and it kind of came to a head right at the concert.”

“Difficult music?”

“No, no, the music was fine. But the principal trombonist was sleeping with the second violinist’s wife. OW!”

“Sorry, caught me a bit by surprise there. Go on.”

“Jeez… anyways, everyone sort of knew about it – except for Jeff.”

“The violinist?”

“Yeah.”

“I used to play the violin.”

“Good for you. Anyways, he was really suspicious, but he felt like he needed to be one-hundred-per-cent-sure before calling either of them on it. I have no goddamn idea why, Matt –“

“…the trombonist?”

“Yeah. Matt was practically smirking every time he looked at Jeff, and they kept sniping at each other on and off pretty much whenever they saw each other.”

“Got it. And?”

“Well, there’s always a bit of tension right before a concert, and it sort of mingled with the arguing, and they almost got into a fistfight offstage during intermission. The tuba guy pulled them apart though.”

“My son plays the tuba.”

“Really? This guy doesn’t – he plays harp.”

“Then why did you call him…“

“We all call him that; he’s shaped like one. Anyways –”

“He’s shaped like a tuba player?”
“No, like a tuba. Can I finish this story?”

“Go ahead.”

“Good. Right, well, we got into position, the conductor – Perkins, a terrifying man with a world-ending moustache – came onstage, and then just as he raised his baton, Matt leaned over and sort-of whispered to Jeff – it was loud from clapping, right, so he had to speak up a bit, and the rest of the orchestra sort of had to overhear: “You’re a violinist, all right. You need a lot of little sticky products to get up and running, and you get all high-pitched and whiny at a climax just before you break a string and go flat.” And then he made a pumping gesture with his trombone and said “burn, bitch!””
“My niece plays the trombone.”

“That’s nice. Well, Jeff’s face went from white to red to post-apocalyptic sundown and then he made a sound like a man being neutered in the woman’s washroom and chucked his music sheet at him. It sort of spun sideways, like a shuriken.”

“I had an aunt that used to know ninjitsu.”

“Really? What happened to her?”

“A rival clan sent three of its finest warriors to kill her. She felled them all in honourable combat but was mortally wounded by a clever ninjaken strike just as she dispatched the last of her foes.”

“Ah. You know, you don’t look Japanese.”

“I’m adopted.”

“Ah. Anyways, the music sheet sort of sliced into Matt’s nose and gave him an enormous papercut from cheek to cheek. He fell over backwards and almost decapitated the guy on third French horn with his trombone.”

“My grandfather decapitated a man once.”

“Really?”

“Yes. Or rather, he had him decapitated. He would not listen to his generous business offer and remained stubbornly convinced of his need for financial independence, and so he was offered a separation agreement.”

“Ah. The separation of his head from his body?”

“Grandpapa was a thorough man.”

“Ah. Anyways, the whole hall sort of froze, and then Jeff launched himself at Matt with his bow in one hand and violin in the other. He crossed the stage in two big bounds with a warlike yodel and if the tuba guy hadn’t snatched up Matt’s music stand and blocked his bow-blow, I don’t like to think what would’ve happened to Matt’s face. He was aiming for the nostrils.”

“Spectacularly cruel.”

“Yes. It was pretty unsporting, but then again, so was what Matt had said. Then Jeff smashed his violin into the tuba guy’s head, but he had a pretty thick skull and he just grabbed Jeff in one hand and his instrument in the other, and shoved him right into it.”

“Gracious. That must’ve been hard on the poor harp.”

“What? No, it was a tuba.”

“But you said –”

“No, no, no that was the tuba guy, THIS is the tuba guy. Different people.”

“I… see. Did I mention my son plays the tuba?”

“Yes. Well, Jeff was a pretty well-liked guy in the string section, and they’d been pissed as hell at Matt for acting the way he did, and that was all the excuse they needed to mount a charge. A pretty fearsome sight it was, too – a solid wedge of violins, tipped by a heavy force of cellos, with double bass backup.”

“My cousin used to play the double bass.”

“Good for him. Why’d he stop?”

“He played a song grandpapa didn’t like.”

“Ah. Anyways, I was one of the flutists, and we were sort of caught between the hammer of the onrushing strings and the anvil of the hurriedly fortifying brass god DAMNIT that hurts!”

“Stitches do that. Go on.”

“Well, the woodwinds looked to be in trouble, and I confess, we reacted poorly – not a shred of the discipline of the opposing sections that threatened us. Half of us ducked for cover, the other half tried to form a sort of defensive formation. I was in the formation, and I can tell you, it was no picnic. Ever tried to perform a coordinated life-or-death defence with a three-hundred pound, five-foot-five double bass player bearing down on you at full speed with bass set to ramming position?”
“No, thank goodness.”

“Well, that’s what was coming at me, and I looked down and all I’ve got is this little flute, and so I did the only thing I could.”

“You ran?”

“No, I stepped smartly to one side and let him ram the guy behind me. It was a pity – I always liked Phil – but he was a piss-lousy clarinettist, so no great loss. Besides, I dispatched the fat bastard with my flute while he was trying to shake Phil off his bass.”

“How did you do that?”

“Sharp blow to the forehead. Dropped him like a load of tubby, Twinkie-eating bricks.”

“My mother ate Twinkies.”

“You don’t say. Regardless, when I looked up –”

“And sucked on them, too, as well as putting them down her shirt. They weren’t real ones though; they were props made from gelatine and pre-chewed liquorice. She didn’t really like it, but it was specified in the movie contract, and father wouldn’t let her wriggle out of it; or the leather straps, for that matter. He did, however, allow her to opt out of the clause that stated that scene five had to be performed with a monkey and a big bowl of marijuana jell-o. She said afterwards that it might’ve been better with a monkey and that the jell-o would’ve at least let her pretend she was in a happier world rather than the exhausted hell-life she found herself in on that dastardly shoot. From that day onwards, she cried whenever she saw liquorice, and so I was never allowed in a candy store again. Father’s laughter echoed around the house every Halloween.”

“Ah. Fascinating.”

“Sorry, I do tend to go on. Continue, please.”

“Right. Well. Anyways, I found myself to be in the rubble of the woodwinds. The strings had simply ploughed through us and were even then hurling themselves against the shining metal of the brass section. An ugly business – both sides were evenly matched. I saw a trumpet player fencing with a violist before taking him down with a thrust to the beer gut, only to fall beneath the merciless garrotte of a thin, delicate-fingered cellist called Jim-Bob. The tuba guy was trading dim-witted blows with the tuba guy, and Matt and Jeff were fighting literally tooth and nail. It was madness.”

“It sounds terrifying indeed. Last stitch, then on to splinting.”

“Excellent. Well, old Perkins was hellish mad at seeing his orchestra tearing itself apart, and he banged his baton on his podium and roared for order as loud as he could. One of the oboe players was so panicked that he just threw his music stand at him, like a spear. I never saw anything so eerie in my life as how Perkins handled that; he just sort of swayed his upper torso to one side and caught the thing with one hand, then hurled it straight back at him. It ran him right through.”

“I used to run through malls when I was younger, looking for my friends. They would always hide from me and whisper dark hints as to their location directly into my tiny little prepubescent brain. They always hid in the ladies changeroom, and I always got in trouble when I tried to find them. One time, I had to cut the manager to get away in time. I didn’t mean to do it, but my friends made me. I never found them again, but sometimes I hear them whispering whenever I pick up something with a sharp edge.”

“Ah. Perkins pretty much leapt off his platform and landed in a duelling stance besides three of the violinists and a trumpet player. The man was a whirlwind with that baton; they all just sort of flopped to the ground, screaming in agony at their ruptured nerve pressure points, alive but in really terrible pain.”

“Your conductor reminds me of my uncle Gary. He made a study of human endurance under extreme conditions, with careful hypotheses supported by extravagant amounts of testing. Why, he sent no less than eighteen experimental subjects into a single booby-trapped hallway in order to determine the exact point, down to the decimal, at which a blast of super-intense heat can literally melt flesh from bones, yet preserve the subject’s psyche long enough for them to emit a shriek of spine-shredding pain.”

“Ah, fascinating. Well, Jeff and Matt were on their feet again, though both had lost their instruments and resorted to wrenching off their ties and using them as lasso-nooses, each seeking to strangle the other. They both managed to get one around the other’s neck at the same time, and when they each tried to deliver the killing yank they both were too weak from oxygen loss to manage it. Total stalemate, and the rest of their sections were too busy with their own fights – including Perkins, who, by the way, was indiscriminately laying about with aim to incapacitate.”

“Well, it’s better to rough up the employee that steps out of line than to do away with him entirely. Rule by fear is more effective when you allow second chances. But only second chances – infinity leniency is foolish. Don’t go out of your way to make examples, but if you must, make it a good one. My staff around here smartened right up after they got to work one day and all that was at my secretary’s desk was her fingernails. Good ol’ grandpapa always knows where to find the best guys to get stuff done.”

“Right. Well, the woodwinds sort of got together and decided that we were going to give ol’ Perkins a hand, seeing as he was taking on the sections that had just handed our asses to us on a platter. We charged the strings from behind and just zipped past them and into the brass; it’s much easier to penetrate a heavy defensive line when you’re carrying a piccolo than a cello.”

“I’d imagine so. I think one of my nephews plays the piccolo.”

“Yes, and the lighter instruments are much better for close quarters. I took out the tuba guy and two trombonists without breaking a sweat before I ran into a violinist. That was tougher. He had enough elbow room to use bow and instrument in combination, and he nearly got my eye.”

“Was that how you sustained this injury?”
“Eh? No, no. A French horn player clobbered him from behind, and I got off narrowly. All in all, the brawl was sort of winding down by then, especially since Perkins had reached Matt and Jeff and bashed their heads together several times. Within four minutes, it had ceased entirely.”

“Really? Then how did you get this injury?”
“Thanks for the fix by the way, the splint looks really nice. Well, it’s sort of embarrassing. We were all starting to remove the dead and wounded under Perkin’s direction, and then the audience started to clap. Apparently they thought it was some sort of performance art.”

“This relates to your finger how…?”

“You see, the adrenaline had worn off by now and a lot of us, myself included, were sort of shell-shocked. One little old lady in the front row stood up and started yelling “encore,” and I was so pissed off that she appreciated the hell we just went through that I leaned over the edge of the stage, face to face with her tiny, wrinkly eyeballs, and gave her the finger.”

“This finger?”
“Yes. Do you know that the little hag actually had fanged dentures?”

“What a coincidence, you’ve just perfectly described my great-aunt. You’re lucky all you got was a mangled finger. She simply can’t abide rudeness. I crafted those dentures myself, you know. They’re made from the finest illegal elephant ivory, tipped with the black sorrow diamonds that are hewn by slave-child-miners in the hell-pits of Yar-Cuchcha.

“Did you just make that up?”
“Not more than anything else I’ve said to you.”

“You’re a real kidder, doc. Those lines you cracked were better than morphine.”

“Thank you. By the way, since you’ve been such a good patient, why don’t you take this with you.”

“A handgun?”

“It has some incriminating fingerprints on it, but don’t worry; the investigation has just been thrown into confusion, so there shouldn’t be any further pursuit.”

“‘Further’ pursuit?”

“Yes, the gentleman that came in just before you was the head detective on that particular case. Would you like his shoes too? Size twelve, and in fine condition.”

“Concert” Copyright 2007, Jamie Proctor.

Drivel.

May 4th, 2009

I’d like to note that I’ve passed a personal goal of mine, outlined under post number one – that of making more than ten posts before breaking down into a useless heap of apathy and cardboard. Technically, I equalled ten two weeks ago and passed it last week – but hey, close enough. It’s not necessarily better late than never, and the early bird eats worms. It takes fewer brain cells to smile than to frown. While I’m debunking random things, do is not a deer, a female deer, it is a notey musicish thingy, saving for a rainy day is stupid when you could save for a house somewhere eternally sunny, and laughter is only medicine insofar as it makes you feel better, possibly lowering your blood pressure. You still shouldn’t cry over spilt milk, though. I mean really, if you’re that attached to your beverages I’d seek help. Spilt ice cream, however, is worth weeping for.

To commemorate this occasion, here, in hopes of redeeming the past few pictures of selachians that have appeared on this webby thingy, is a picture of a shark that knows no lulz.

Most certainly not a lolshark.

Most certainly not a lolshark.

Ain’t he cute? Now, because moderation in all things is an admirable goal, here’s a contrast:

Show this to those that claim that dolphins are cute.  SHOW THEM.

Show this to those that claim that dolphins are cute. SHOW THEM.

And finally, because moderation in all things also applies to moderation, enjoy a soulless monstrosity.

There is no God.  There is only the lolshark.

There is no God. There is only the lolshark.

Picture Credits